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FORE:There were other transactions besides those of the American campaign, during the year, which demand notice. Rodney co-operated with a body of troops under General Vaughan in an attempt to recover the island of St. Vincent, which the French had taken in the previous year, but they were not successful. They then turned their attack on the island of St. Eustatia, belonging to the Dutch, and the governor not having heard the news of the war, they met with no resistance. The capture was a most valuable one; the whole island seemed one great store of Dutch and American products and goods. There were one hundred and fifty merchant vessels in the harbour all secured, besides six ships of war and a fleet of thirty Dutch West Indiamen, which had just left, but which were sent after and brought back. The value of the whole prize was estimated at three millions eight hundred thousand pounds. A large quantity of the merchandise belonged to Englishmen, who were engaged thus in supplying the Americans through this channel. Rodney confiscated the whole of it. In vain did the owners demand, through the Assembly of St. Kitt's, the restoration of those goods; Rodney would not listen to them. Besides St. Eustatia, the small neighbouring islands of St. Martin and Saba, and the Dutch settlements on the rivers of Demerara and Essequibo, in Guiana, were taken with their ships and property. The Dutch trade in these parts received a mortal blow. On the other hand, the French, under the Marquis de Bouill, captured the island of Tobago.The Attorney-General defied the enemies of the administration to point out a single instance in which the Viceroy had deviated from the line of strict impartiality, yet he was the object of most virulent attacks by the fanatical members of the Orange societies in Dublin, and by the Orange press. Their animosity was excited to the utmost by a proceeding which he adopted with reference to the statue of King William III. in College Green. For some years a set of low persons, connected with the Orange lodges, had been in the habit of bedaubing the statue with ridiculous painting and tawdry orange colours, with a fantastic drapery of orange scarves. The Catholics believed that this was done with the avowed purpose of insulting them, and they thought that they had as much right to undress as others had to dress a public statue. On one occasion, therefore, they painted King William with lampblack. Consequently, on the 12th of July, 1822, a serious riot occurred, in the course of which lives were endangered, the tranquillity of the metropolis was disturbed, and evil passions of the most furious kind were engendered in the minds of the parties. As the peace must be preserved, the only course was to put an end to those senseless brawls by ordering that no unauthorised parties should presume to put their hands on a public monument, either for the purpose of decorating or defiling it. But this judicious order the Orangemen felt to be a wrong, which should be resented and avenged by driving Lord Wellesley out of the country. Accordingly, certain members of the Orange Society, amounting to nearly one hundred, entered into a conspiracy to mob him in the theatre. They were supplied with pit-tickets, and assembling early at the door, they rushed in, and took possession of the seat immediately under the Viceregal box. Other parties of them went to the galleries. They agreed upon the watchword, "Look out." They had previously printed handbills, which were freely distributed in and about the theatre, containing insulting expressions, such as "Down with the Popish Government!" Before the Viceroy arrived, they had been crying for groans for the "Popish Lord-Lieutenant," for the house of Wellesley, for the Duke of Wellington. When the marquis arrived he was received with general cheering, that overbore the Orange hisses; but during the playing of the National Anthem the offensive noise became so alarming that some of the audience[248] left the theatre. At this moment a bottle was flung from one of the galleries, which was supposed to be aimed at the head of the Lord-Lieutenant, and which fell near his box.
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FORE:There was a number of lady dramatists of this period. Mrs. Cowley wrote "The Runaway," "The Belle's Stratagem," "More Ways than One," etc.; Mrs. Brooke, Miss Marshall, Mrs. Lennox, and Miss Sophia Lee, all wrote successful plays; Mrs. Sheridan, the author of the Eastern story, "Nourjahad," was the writer of the successful comedies of "The Discovery" and "The Dupe." But the chief dramatist of this period was Richard Brinsley Sheridan, her son (b. 1751; d. 1816). He was equally distinguished as a politician, an orator, and a critic. Like Murphy, Macklin, and Cumberland, he was an Irishman. His dramas placed him at the head of all the writers for the stage of his time. They abounded with humour, wit, the smartest action, and knowledge of life and human nature. His splendid comedy of "The Rivals," written when he was not twenty-five, did not at first augur much success; but "The Duenna," which appeared the same year, carried with it at once the highest public favour; and his "School for Scandal," acted in 1777, raised his reputation to the utmost. He also wrote the farces of "The Critic," "The Trip to Scarborough," and "St. Patrick's Day." All these were issued before 1780, and after that he was too much involved in political affairs to renew this style of writing. Amongst his other labours for the theatre was the adaptation of "Pizarro," one of[181] Kotzebue's numerous plays. Sheridan first appeared before the world as the translator of "Arist?netus."But now Catherine of Russia had concluded her entanglements with Turkey. It was the August of 1791, and her eyes turned immediately on Poland, and she pretended to take great offence and alarm at the new Constitution, as full of French and Revolutionary principles, and therefore intolerable to any neighbouring state. She began to negotiate with Sweden, and Prussia, and Austria, to co-operate with her in her design against Poland. Prussia was easily led to adopt her ideas, for the king was like herself, greedy of his neighbour's dominions, and had been repulsed by the Poles in grasping at Thorn and Dantzic. Leopold of Austria was, by his connection with the royal party of France, through his sister, naturally ready to put down any influence from the French Revolution in a neighbouring country; but he was indisposed to war, and too just and moderate for aggression. His death, on the 1st of March, 1792, removed this obstacle, and Francis, his successor, was found to be more accessible to the Czarina's selfish arguments. Russia, Prussia, and Austria were all agreed on the plunder of Poland, whilst they still preserved the most hypocritical appearance of caring only for its unity and national interests. As for Gustavus III., of Sweden, brave and honest as he was, he was of such chivalrous and, to a certain degree, insane character, that he was easily led on by the artful Empress of Russia to lend himself to her designs, without being aware of them. He had declared himself the knight of Marie Antoinette, and had sworn to rescue her. He was avaricious of military glory, and, like his predecessor, Charles XII., he was desirous only of conducting some great and brilliant enterprise. He desired to lead an army against the French, now bursting out under the Revolutionary general, Custine, on Germany, and, joining with the army of the Emigrants, eighteen thousand in number, to beat back the Democratic general, to march into France, and restore the throne of Louis and Marie Antoinette. But he had no money; the Empress of Russia, who wished him employed at a distance, and especially in keeping back the French Democrats, whilst she carved up Poland, offered him both money and arms. But the Empress was relieved of the high-minded Gustavus in a manner which she had by no means contemplated. He fell, on the 16th of March, in his own capital, by the hand of an assassin called Ankarstr?m.
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FORE:
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