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But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotles philosophy to the rival form of spiritualism, mens minds naturally reverted, in the first instance, to what had once linked them togetherthe system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literatureat least the English literatureof that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spensers Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection. Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a lifes history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dantesthe Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotles principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion.

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Landor was in the dining room, and Felipa stood in the sitting room receiving the praises of her husband with much tact. If he were the hero of the hour, she was the heroine. The officers from far posts carried their admiration to extravagance, bewitched by the sphinx-riddle written somehow on her fair face, and which is the most potent and bewildering charm a woman can possess. When they went away, they sent her boxes of fresh tomatoes and celery and lemons, from points along the railroad, which was a highly acceptable and altogether delicate attention in the day and place.
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Felipa thought it was not quite so bad as that, and she poured herself another cup of the Rio, strong as lye, with which she saturated her system, to keep off the fever.Flying past they could not fully understand.Anything new? Anything suspicious?Undoubtedly, as she said, the American was ugly and unattractive; but the Mexican was pretty and decidedly engaging. Cairness had been too nearly trapped once before to be lured now. He met the piece of brown femininity upon her own ground. "You are quite right, querida mia. She is ugly and old, and you are beautiful and young, and I will take you with me to the States and buy a pink dress with lovely green ribbons, if you will tell me where the old woman is."Brewster stood in his own window, quite alone, and watched them all crowding down to Landor's quarters. The beauty of the Triumph of Virtue did not appeal to[Pg 157] him. He was very uneasy. Countercharges were looming on his view. To be sure, he had not lied, not absolutely and in so many words, but his citizen witnesses had not been so adroit or so careful. It would not have taken much to make out a very fair case of conduct unbecoming an officer and a gentleman. Practical working texts, anent looking before leaping, and being sure you are right ere going ahead, occurred to him with new force. His morality at the moment was worthy the law and the prophets. He was Experience in person, and as such would have been an invaluable teacher, if there had been any seeking instruction. But there was none. They were all with Landor, drinking his wine and helping success succeed, than which one may find less pleasant occupations.
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