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The long table was filled with officials and their wives, as happy as childrenpulling crackers at dessert, putting on paper caps, singing the latest music-hall nonsense; while outside, jackals whined, suddenly coming so close that they drowned the voices and the accompaniment on the piano.

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And again ruins. Under an archway still left standing on piers carved with lilies and foliage, lay a whole family of pariahs covered with leprosy and sores.
THREE:BUNNOO

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FORE:Colonel C went out shooting wild duck on a pool close to Bunnoo with a native, whose horse, led by a servant, came after them. But when they came to the native gentleman's village he mounted, and returned the civility of the salaaming people, who till then had avoided recognizing him, [Pg 282]regarding the fact that a kshatriya had come on foot as sufficient evidence that he wished to pass incognito. Then, when they were out of the village, the native gentleman dismounted and walked on with the colonel.

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FORE:At Srinagar you live under the impression that the scene before you is a panorama, painted to cheat the eye. In the foreground is the river; beyond it spreads the plain, shut in by the giant mountains, just so far away as to harmonize as a whole, while over their summits, in the perpetually pure air, hues fleet like kisses of colour, the faintest shades reflected on the snow in tints going from lilac through every shade of blue and pale rose down to dead white.At the polo-match in the evening the band played, and three ladies were present; in sign of the spring having come, a basket was hung to the branch of a tree, full of straw kept constantly wet by the coolies, and containing sundry bottles of soda-water.

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FORE:[Pg 157]The actors were exclusively men and boys, those who took female parts wore rusty wigs over their own long, black hair; these were plaited on each side of the face, and waxed behind to fall over the shoulders. The costumes of velvet and satin, heavily embroidered with gold and silver, were hideous.

Finibus Bonorum et Malorum" by Cicero are also reproduced in their exact original form, accompanied by English versions from the 1914 translation by H. Rackham

FORE:Near the statues, which are placed in a row close to the wall, other statues, finer, slenderer, and more graceful, stood before the pedestals, anointing the stone with some oil which in time soaks in and blackens it, or else hanging lanterns up over the divinities. These were the temple servants, wearing nothing but the langouti tied round their loins; they either shuffle about barefoot, or remain motionless in rapt ecstasy before the little niches where the idols grin or scowl among branches of roses and amaryllis.

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FORE:

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FORE:AGRA

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THREE:The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.At last the bridegroom goes up the steps. The mother-in-law repeats the circular wave of welcome over the young man's head with rice and sugar and an egg and a coco-nut; then she takes the garland, already somewhat faded, from his neck, and replaces it by another twined of gold thread and jasmine flowers, with roses at regular intervals. She also changes his bouquet, and receives the coco-nut her son-in-law has carried in his hand.

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THREE:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.

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FORE:In the town camels were harnessed to a sort of carriage like a hut perched on misshapen wheels, and rumbling slowly through the streets, seeming very heavy at the heels of the big beast with its shambling gait. THREE:At Jan the pagodas are of red stone. The largest, conical in shape, covers with its ponderous roof, overloaded with sculptured figures of gods and animals, a very small passage, at the end of which two lights burning hardly reveal a white idol standing amid a perfect carpet of flowers. Round the sacred tank that lies at the base of the[Pg 45] temple, full of stagnant greenish-white water, are flights of steps in purple-hued stone; at the angles, twelve little conical kiosks, also of red stone and highly decorated, shelter twelve similar idols, but black. And between the temples, among the few huts that compose the village of Jan, stand Moslem mausoleums and tombs. Verses from the Koran are carved on the stones, now scarcelyl visible amid the spreading briars and garlands of creepers hanging from the tall trees that are pushing their roots between the flagstones that cover the dead.While I spent the hot hours of the day in the bungalow, a flock of birds came in through the open doors, and quietly picked up the crumbs on the floor. They were followed by grey squirrels, which at first crouched in the corners, but presently, growing bolder, ended by climbing on to the table, with peering eyes, in hope of nuts or bread-crusts.

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FORE:THE SACRED HILL THREE:

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FORE:The post-chaise was a tonga, escorted by a mounted sowar, armed with a naked sword. He rode ahead at a rattling trot, but the clatter was drowned by the shouts of the driver and of the sais, who scrambled up on the steps and urged the steeds on with excited flogging. THREE:

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03.

THREE:The jugglers being gone, a boy, to gain alms, opened a round basket he was carrying, and up rose a serpent, its hood raised in anger, and hissing with its tongue out."Can you suppose I should have insulted you by coming here without asking you some favour?"

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04.

THREE:

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"She is the mother of Christ, you say? You are a stranger, and you cannot know all the mischief they do us in the name of her Son."A muffled sound of instruments, mingling in confusion in the myriad echoes, came dying on my ear, hardly audible. A gleam of light flashed in the corridor and then went out. Then some lights seemed to be coming towards me, and again all was gloom. An orchestra of bagpipes, of kemanches and darboukhas sounded close by me, and then was lost in the distance, and the phantasmagoria of lights still went on. At last, at the further end of the arcade where I was standing, two men raised green-flamed torches at the end of long poles, followed by two drummers and musicians playing on bagpipes and viols. Children squatting on the ground lighted coloured fire that[Pg 118] made a bright blaze, and died out in stifling smoke, shrouding the priestsa cloud hardly tinted by the torches.On the stone ceiling of almost every temple four large women's faces and certain crouching[Pg 75] gnomes appear in fresh red paint. In the very dim twilight that comes in through the narrow windows hung with blue gauze, the idols are visible behind lattices: white Buddhas blazing with sparkling gems that hang on their wrists and ankles, or form a perfect breastplate; and every one, without exception, has an enormous glittering imitation diamond in his forehead.A town in mourning. In the suburban stations, so crowded but three weeks since, there was nobody, and nobody in the train we travelled by. No coolies for the baggage, no carriages, and the tramcars running down the wide, deserted road carried no passengers. The hotel was closed, all the servants had fled in terror of the plague, which was raging with increased violence. Every shop[Pg 92] had the shutters up; the great market, full of golden fruit and shaded by the flowering trees, was equally empty, and in the bazaar the rare wayfarers hurried by in silence."I shall pay as much as I can myself, and by-and-by my son will earn money, and we shall pay between us."
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