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The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.At Mazagoon, one of the suburbs of Bombay, behold a Parsee wedding.
ONE:Very gradually the measure quickened, the pitch grew shriller, and with faster and freer movements the bayadres were almost leaping in a sort of delirium produced by the increasing noise, and the constantly growing number of lights.

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TWO:Then, two and two, carrying on their shoulders heavy trays piled with presents, women mount the steps of the house, the bridegroom standing at the bottom. The bride's mother comes forth to meet them in a dress of pale-coloured China crape covered with a fine white saree. She waves her closed hand three times over the gifts, and then, opening it, throws rice on the ground. This action[Pg 16] she repeats with sugar and sweetmeats, and finally with a coco-nut. And each time she empties her hand a naked boy appears from heaven knows where, gathers up what she flings on the ground, and vanishes again, lost at once in the shadows of the garden.In the evening to the theatrea Parsee theatre; a large tent, reserved for women on one side by a hanging of mats. The public were English soldiers and baboos with their children, and in the cheapest places a packed crowd of coolies.

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TWO:

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TWO:On the stone ceiling of almost every temple four large women's faces and certain crouching[Pg 75] gnomes appear in fresh red paint. In the very dim twilight that comes in through the narrow windows hung with blue gauze, the idols are visible behind lattices: white Buddhas blazing with sparkling gems that hang on their wrists and ankles, or form a perfect breastplate; and every one, without exception, has an enormous glittering imitation diamond in his forehead.

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ONE:Beyond a wide valley that lay far beneath us a mountain-range gleamed softly in the blue distance, starry and sapphire-hued above rising levels of delicate green. Here, in the fresher air, floated the fragrance of mosses and alpine flowers, and above the[Pg 127] cascades falling in showers we could see the tangle of climbing plants, ferns, orchids, and hibiscus, a swaying curtain all woven of leaves and blossoms.A man in the fort always struck out the hours on a gong, very slowly, in the heat of the day. Twelve at noon was interminableone, two, three were so feeble as to be scarcely audible. And then when it was cooler and the tom-toms could be heard in the distance, the strokes had a queer dislocated rhythm, and sometimes even a stroke too many, smothered in a hurried roll.

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:In the twilight of the great galleries the gods are assembled in groups, standing or sitting, rigid or contorted into epileptic attitudes, and thin bodies of human aspect end in legs or arms resembling serpents or huge fins, rather than natural limbs: Kali, the eight-armed goddess, leaping in the midst of daggers, performing a straddling dance while she holds up a tiny corpse on the point of the short sword she brandishes; impassible Sivas wearing a tall mitre; Krishna playing the flute to the thousand virgins who are in love with him, and who fade into perspective on the panel. And every divinity has eyes of jade, or of white plaster, hideously visible against the pale grey stone softly polished by time.

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.



TWO:To the Chandni Chowkthe bazaar. In a miniature-painter's shop was a medley of ivories, of boxes inlaid with silver and ebony, and toys carved in sandal-wood.On the great banyan trees in the garden, and on every palm, torpid vultures sit in the sun, awaiting the meal that will come with the next funeral procession.

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.

By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.

TWO:

ONE:In one of the alleys by the outer wall was a little house with a door in carved panels framing[Pg 243] inlaid work as delicate as woven damask. A crowd surrounding it could not be persuaded by Abibulla's eloquence to make way for me, a suspicious-looking stranger.

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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ONE:



FORE:And then, under the verandah, the accused were brought up: an old man and a youth, father and son, both superbly handsome, very tall, erect, haughty, in spite of the hustling of the armed men and the heavy chains that weighed on them; and after bowing low to the judge they stood towering above the crowd of witnesses, soldiers, and native functionaries, in magnificent dignity and calm indifference.

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.


FORE:Another templecarved and pierced, and loaded and overloaded with ornament. In the crypt was a bas-relief representing the ceremony of marriage: the procession, the couple in front of the altar, the relations sitting round, all alike in the same crouching attitude, like toys set out by a little child. Then the model of a very famous temple elsewhere in India: columns, gateways, statues of the gods, all reproduced with microscopic exactitude down to the minutest details; and surrounding this tiny model a bas-relief of the most bewildering perspectivea plan of Satrunji with its fifty-two principal temples, its trees and sacred tanks; and as a pendant to this representation, a circular carving giving a bird's-eye view of the crowd, the same little doll-like figures[Pg 79] repeated again and again, coming to worship with arms and legs spread out, grovelling, as if they were swimming.

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.


FORE:Another fakir, a young man, had come to sit at the elder's feet, and when I had finished my business the "holy man" began to knead his disciple's muscles, wringing and disjointing his arms and dislocating his left shoulder; and, as if in mockery of my distressed expression, he bent the lad's back inwards till his face was between his heels, and left him for a long minute in that torturing position.

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.


FORE:

Jaye began making websites when animated logos and scrolling text were cool, but has since found a love for simplicity, creating websites that are a pleasure to browse. Monkey Island Fan.

TWO:By the roadside came two figures tottering along, and then, turning to look at me, showed me the horror of their shrivelled bodies, their dimmed eyesall that seemed alive in those drawn faces of skin and bonethe jaw stiffened in a skull-like grimace; victims of the famine, who had come from the Central Provinces where there had been no rain for two years, and where everything was dying. This couple were making their way to a poorhouse hard by. They had come from a village in Bundelkund, whence all the inhabitants had fledthemselves the sole survivors of a family of eighteen souls. First the children died, then the very old folks. These two had kept themselves alive on what had been given them on the way, but immigrants soon were too many in the districts unvisited by famine, and ere long they could get nothing; then they fed on roots, on what they[Pg 191] could steal from fields or garden-plots, or found left to rot, scorned even by the beasts.

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ONE:

From the purely practical to the richly philosophical, design is the solution to a host of challenges.



ONE:Further off, under the banyan trees, is the sepoys' camp; they have been turned out of barracks on account of the plague; and flashing here and there among the dark, heavy verdure there lies the steely level of motionless ocean.


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ONE:

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.



ONE:



FORE:Above the mausoleum a fort with battlements towers over the pass, "an impregnable position," the guides tell us.
Published Aug 30.
TWO:Rising from the highest point of the hill the huge tomb of Aurungzeeb the Greatmore huge in the darknessstood out clearly, a black mass, its bulbous dome against the sky. Flocks of goats and sheep came clambering along the ridge to shelter for the night in the recesses of its walls. Then, one by one, the lights died out. Infinite calm brooded over the scene; a very subtle fragrance, as of rose and verbena, seemed to rise from the ground and scent the still air; and over the motionless earth swept enormous black bats in silent flight, with slow, regularly-beating wings.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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FORE:And once more in a barge on the Ganges. The atmosphere seemed faintly iridescent, like mother-of-pearl, the silence serenely lulled by the distant sound of a flute. The palaces and temples, reflected in the still water, looked in the distance like forts crowned with turrets of gold, and their little windows like loopholes. The broad stairs of the quays, where the priests' umbrellas glitter, assumed a spacious, unfamiliar dignity, the red colour shading paler towards the bottom, where it was washed off by the lapping Ganges, looking as though a fairy hanging of gauze were spread under the wavelets in honour of the Apsaras and the divinities of the river.At the end of the passage was a sort of den, where, through the open door, I caught sight of a marvellous Indian hanging of faded hues on a pale ground, hidden in places by stains; the noble pattern represented a peacock spreading his tail between two cypresses.
Published Aug 28.
TWO:At a station where we stopped, a man with a broad, jolly, smiling face got into the carriage. He was a juggler and a magician, could do whatever he would, and at the time when the line was opened[Pg 90] he threatened that if he were not allowed to travel free he would break the trains into splinters. The officials had a panic, and the authorities were so nervous that they gave way; so he is always travelling from one station to another, living in the carriages.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.At Mazagoon, one of the suburbs of Bombay, behold a Parsee wedding.

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The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.At Mazagoon, one of the suburbs of Bombay, behold a Parsee wedding.


THREE:The morning mist shrouds everything; the scene insensibly passes through a series of pale tints, to reappear ere long in the clear rosy light, which sheds a powdering of glowing gold on the broad roadstead of Bombay.

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THREE:A kshatriya, a very old man, had seen me yesterday returning from Ramnagar with my necklet of silver threads. Convinced by this that I must be "a Europe Rajah," he tormented me to grant him a title. He wanted to be Raj Bahadur; this was the height of his ambition. After following me about the bazaar all the morning, he sat for a long time in my room. So, to get rid of him, seeing[Pg 180] that he persisted in hoping that I should call him Raj Bahadur, I did so; this, however, did not satisfy him: I must write it down on paper. At last I consented. Quite delighted now, he went off to shout the words to his friends, who had been waiting for him in the garden, and then, very solemn, and conscious of his new dignity, he disappeared down the road.The Maharajah was out, at his devotions; I could see everything. Up a staircase with a gilt paper and gilt banisters, leading to rooms where crystal lustres hang like tears above Oxford Street furniture, and lovely chromo-lithographs in massive and glittering frames.

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THREE:

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FORE:The temples were already closed, but my servant, Abibulla, diverted the attention of the gatekeeper, and I stole unseen into the outer precincts.At the bottom of the steps, almost in the street, was another school at the entrance to a temple. The children, in piercing tones, were all spelling together under the echoing vault, a terrible noise which seemed to trouble nobody.
Our boat stole slowly past the palaces, where there were no lights, through the haze rising from the river, and all things assumed a dissolving appearance as though they were about to vanish; all was shrouded and dim with mystery.The road lay among flowers, all-pervading; in the fields, on the rocks, on the road itself, pink flowers or lavender or white; bright moss, shrubs and trees in full bloom, and hovering over them birds of changing hue and golden butterflies.One of the servants of the place, sitting in the shade of the arcade, was painting, after a strange method. He sprinkled powdered colour on the surface of some water in a tub, outlining the colour with black; then, with a feather, he massed and arranged the colours, taking some off and replacing it in infinitesimal quantities. Finally the result was a representation of Siva and Ourasi, robed in blue and violet, against a background of crude red. When they were quite finished he jerked the bowl, giving the figures a curtseying motion, and stood a little way off to contemplate the general effect;[Pg 158] and then, quite satisfied, stirred the whole thing up and began again, the same picture, with the same precise care.
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