ONE:
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ONE:There!"I shall ride into Apache with you in Captain Landor's stead, if he will allow me," he told her, and added, "and if you will."
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FORE:The column halted, and the lieutenant in command rode back. He, too, looked down at the horse, pulling at his mustache with one gauntleted hand. He had played with Cabot when they had been children together, in that green land of peace and plenty which they called the East. They had been schoolmates, and they had the same class sympathies even now, though the barrier of rank was between them, and the dismounted man was a private in Landor's own troop. Landor liked the private for the sake of the old times and for the memory of a youth which had held a better promise for both than manhood had fulfilled.
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FORE:By the time they sighted the hangar and field, he had all the bits joined perfectly. Sandys solution fitted every point that he knew, and was so water tight and so beautiful that he landed with his face carrying its first really satisfied, and exultant grin.Now what distinguishes Spenser from Dante is that, while he also disposes his inventions according to an extremely artificial and abstract schematism, with him, as with Plato, abstractions acquire a separate individual existence, being, in fact, embodied as so many persons; while Dante, following Aristotle, never separates his from the concrete data of experience. And it may be noted that, in this respect at least, English literature has not deserted the philosophy which presided over its second birth. It has ever since been more prone to realise abstractions than any other literature, whether under the form of allegories, parables, or mere casual illustrations drawn from material objects. Even at this day, English writers crowd their pages with dazzling metaphors, which to Continental readers must have sometimes a rather barbaric effect.