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FORE:CHAPTER XLI. PROUT IS INDISCREET.

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FORE:We are told that when his end began to approach, the dying philosopher was pressed to choose a successor in the headship of the School. The manner in which he did this is289 characteristic of his singular gentleness and unwillingness to give offence. It was understood that the choice must lie between his two most distinguished pupils, Theophrastus of Lesbos, and Eud��mus of Rhodes. Aristotle asked for specimens of the wine grown in those islands. He first essayed the Rhodian vintage, and praised it highly, but remarked after tasting the other, ��The Lesbian is sweeter,�� thus revealing his preference for Theophrastus, who accordingly reigned over the Lyceum in his stead.179But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotle��s philosophy to the rival form of spiritualism, men��s minds naturally reverted, in the first instance, to what had once linked them together��the system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literature��at least the English literature��of that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spenser��s Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), ��Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection.�� Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a life��s history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dante��s��the Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotle��s principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion.

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FORE:Such is the mild and conciliatory mode of treatment at first adopted by Plato in dealing with the principal representative of the Sophists��Protagoras. In the Dialogue which bears his name the famous humanist is presented to us as a professor of popular unsystematised morality, proving by a variety of practical arguments and ingenious illustrations that virtue can be taught, and that the preservation of social order depends upon the possibility of teaching it; but unwilling to188 go along with the reasonings by which Socrates shows the applicability of rigorously scientific principles to conduct. Plato has here taken up one side of the Socratic ethics, and developed it into a complete and self-consistent theory. The doctrine inculcated is that form of utilitarianism to which Mr. Sidgwick has given the name of egoistic hedonism. We are brought to admit that virtue is one because the various virtues reduce themselves in the last analysis to prudence. It is assumed that happiness, in the sense of pleasure and the absence of pain, is the sole end of life. Duty is identified with interest. Morality is a calculus for computing quantities of pleasure and pain, and all virtuous action is a means for securing a maximum of the one together with a minimum of the other. Ethical science is constituted; it can be taught like mathematics; and so far the Sophists are right, but they have arrived at the truth by a purely empirical process; while Socrates, who professes to know nothing, by simply following the dialectic impulse strikes out a generalisation which at once confirms and explains their position; yet from self-sufficiency or prejudice they refuse to agree with him in taking their stand on its only logical foundation.

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