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THE last of the four French heroines whose histories are here to be related, differed in her early surroundings and circumstances from the three preceding ones. She was neither the daughter of a powerful noble like the Marquise de Montagu, nor did she belong to the finance or the bourgeoisie like Mme. Le Brun and Mme. Tallien. Her father was noble but poor, her childhood was spent, not in a great capital but in the country, and as she was born nearly ten years before the first and six-and-twenty years before the last of the other three, she saw much more than they did of the old France before it was swept away by the Revolution.At a State ball she first saw again the Empress, Marie Thrse, daughter of the Queen of Naples, whom she found much changed in appearance. She had painted her portrait in 1792.Louis XV. was upon the throne; the manners and customs of the ancien rgime were in full force, though mitigated and softened by the growing enlightenment and liberalism which were spreading not only in the literary and professional circles, but amongst the younger generation in all classes.
THREE:The Abbess was always of a noble family, the one at that time being Mme. de Sabran, and although no proofs were exacted, the nuns nearly all belonged to families of good blood.She wrote pages and pages to the Duchess, who would not answer the letters except by a few short lines, and refused to enter into the matter at all, but declined to receive Mme. de Genlis at the Palais Royal to dine as usual. Here is an example of what the Duchesse dAbrants and others have said about Mme. de Genlis having nothing of the dignity that she might have been expected to possess. Her behaviour contrasts strongly with that of the Duchesse dOrlans, who, however foolish and credulous she may have been, showed at any rate [422] that she was a Princess of France. It was not for her to discuss or dispute with Mme. de Genlis about her influence with her husband and children; it was for her to give orders and for the governess of her children to obey them. But these late proceedings were different and tangible, and Mme. de Genlis herself owns in her Mmoires, written long after, that the objections of the Duchess, which she then thought so exaggerated and unjust, were right and well-founded. She declares that she had no idea how far the Revolution would go, that she was strongly attached to the Monarchy and to religion, which latter was certainly true, and there is no reason to suppose she contemplated a Republic, while the horrors that took place were odious to her.

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TWO:IN the autumn of 1790 Lisette went to Naples, with which she was enchanted. She took a house on the Chiaja, looking across the bay to Capri and close to the Russian Embassy. The Ambassador, Count Scawronski, called immediately and begged her to breakfast and dine always at his house, where, although not accepting this invitation, she spent nearly all her evenings. She painted his wife, and, after her, Emma Harte, then the mistress of Sir William Hamilton, as a bacchante, lying on the sea-shore with her splendid chestnut hair falling loosely about her in masses sufficient to cover her. Sir William Hamilton, who was exceedingly avaricious, paid her a hundred louis for the picture, and afterwards sold it in London for three hundred guineas. Later on, Mme. Le Brun, having painted her as a Sybil for the Duc de Brissac after she became Lady Hamilton, copied the head and gave it to Sir William, who sold that also!
THREE:Having decided to stop at Turin and wait for further news, she took a little house in a vineyard near the town. M. de Rivire lodged with her, and gradually recovered amongst the peaceful surroundings. [116] Even the sight of the honest, quiet, peaceable peasants did them good. They walked among the vineyards, or in a neighbouring wood, where steep paths led to little churches and chapels, in which they attended mass on Sundays; and Lisette resumed her work, painting amongst other things a picture, Une baigneuse, which she sold at once to a Russian prince, and a portrait of his daughter as a present to Signor Porporati.I am German, a composer of music, I see no harm in all that.

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THREE:CHAPTER IIIThere was a violent scene between the two brothers, the Comte dArtois threatened to borrow the money he could not extort, and the King, after reproaching him for his conduct, ordered him to his own apartment, intending to punish him by means of a lettre de cachet. But then, as always, [203] the irresolution and weakness of Louis XVI. more than counterbalanced his good intentions.

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THREE:Rosalie de Grammont survived her for thirteen years, and died at the age of eighty-fivethe last of the five sisters.

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  • THREE:Their aunt, the Marchale de Mouchy, called then the Comtesse de Noailles, was about this time appointed first lady of honour to the Archduchess Marie Antoinette of Austria, whose approaching marriage with the Dauphin was the great event of the day; and was sent with the other distinguished persons selected to meet her at the frontier. This alliance was very unpopular with the royal family and court, who disliked Austria and declared that country to be the enemy of France, to whom her interests were always opposed. Madame Adla?de especially, made no secret of her displeasure, and when M. Campan came to take her orders before setting off for the frontier with the household of the Dauphin, she said that she disapproved of the marriage of her nephew with the Archduchess, and if she had any order to give it would not be to fetch an Austrian.The climate of Russia Lisette became gradually accustomed to. The absence of spring and autumn, the short, hot summer, not beginning until June and ending in August, were at first very strange to her. The first May she spent there the half-melted snow was on the ground and the windows still closed up, while enormous blocks of ice came crashing down the Neva with a noise like thunder.
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After expressing her satisfaction, the Empress saidPoinsinet, the author, was a man of very different calibre. That he had plenty of ability was proved by the fact that on the same evening he obtained three dramatic successes, i.e., Ernelinde at the Opera, Le Cercle at the Fran?ais, and Tom Jones at the Opra-Comique. But his absurd credulity made him the object of continual practical jokes, or mystifications as they were called.
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