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La substance du peuple et la honte du Roi.��It was all so terribly changed, she could hardly believe that this was indeed the Paris of her youth, the ancient capital of a great monarchy, the centre of magnificence, elegance, and refinement. The churches were mostly closed, if not in ruins; the statues of the saints were replaced by those of infidel philosophers; the names of the streets were changed into others, often commemorating some odious individual or theory or deed of the Revolution; as to the convents the very names of ��Jacobin,�� Cordeliers,�� and others were associated with horror and bloodshed. The words palais and h?tel having been forbidden by the Terrorists, maison ci-devant Conti, maison ci-devant Bourbon, &c., were written upon the once splendid dwellings of those who were now murdered, wandering in exile or, like herself, just returning to their ruined homes, with shattered fortunes and sorrowful hearts. Everywhere, on walls and buildings were inscribed [453] the mocking words libert��, ��galit��, fraternit��, sometimes with the significant addition, ou la mort.

ONE:��In the name of him who is gone, I bring you this help; he loved all Frenchmen.��

ONE:

ONE:Mme. de Tourzel asserts that La Fayette helped to irritate the mob against him, and that he was afraid of de Favras�� intrigues against himself, as he was accused of plotting to murder Necker, Bailly, and La Fayette.��Some misfortune has happened to the King.��

ONE:��Indeed, I think we shall go too far;�� while the Comtesse du Moley and Mme. Le Brun were horror-stricken at the terrible prospects unfolded to them.Vien, who had been first painter to the King; G��rard, Gros, and Girodet, the great portrait painters (all pupils of David), and her old friend Robert, were constant guests. With David she was not on friendly terms; his crimes and cruelties during the Revolution caused her to regard him with horror. He had caused Robert to be arrested, and had done all he could to increase the horrors of his imprisonment. He had also tried to circulate the malicious reports about Calonne and Mme. Le Brun, of whom he was jealous, though his real love for his art made him acknowledge the excellence of her work.

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THREE:The first time they entered it Mme. Du Barry said, ��It was in this room that Louis XV. used to [76] do me the honour to dine. There was a tribune above for the musicians who played and sang during dinner.��

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ONE:

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THREE:And he clasped her in his arms.

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THREE:Mme. du Deffand then occupied one in another [366] part of the building, but at that time they had no acquaintance with her. The philosophers and the atheistic set had never at any time in her life the least attraction for F��licit��, who held their irreligious opinions in abhorrence.Nobody ever saw the tapestry in question because it did not exist, and Louis XV., speaking of the story, said scornfully, ��Have there ever been such things as tapestries chez les Montmorin?��

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THREE:

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THREE:Directly the Duc de Chartres heard of the project he came to ask to be of the party, and as he was not as yet the open enemy of the royal family, his request was granted.

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ONE:One day at the end of May when she and her daughter were walking in the summer gardens, they noticed that all the shrubs were covered only with buds. Taking a long walk round the gardens and returning to the same place, they found all the buds had burst into leaf.The salon of the famous Mme. Geoffrin was the great resort of philosophers, literary men of different kinds, painters, musicians, and celebrities of various countries, people distinguished in the political world, or belonging to the court and the great noblesse, French and foreign.

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ONE:

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THREE:She was received with the hospitality and distinction she always experienced, met many old acquaintances, and passed several months very pleasantly.